The additional synth solo in the 1:23 section also added some much-needed warmth in the lower end.
The backing melody's irregular syncopation from 0:48, the little melody flourishes in the first half (0:36, 1:46, the sine pluck at 1:58) and the source arpeggio changed into a filter-heavy sequence (1:06) all stuck out. " Structure-wise, it's one run-through of the source but with a whole bunch of modifications. judges were unanimous Rexy provided a great breakdown & analysis: Groovy vibe/aesthetic shift for Mike I can never really get too much of his particular flavor of synthwave, but this is lower-fi, mellow, & comparatively stripped down, and right from those introductory, drifting/melting chords, you know it's gonna be good. I hope everyone enjoys this one, I like the results, and I'm happy that I went into sorta unknown territory and came back with something alright to show." I spent hundreds of hours playing this, and the soundtrack stuck with me, so it was only a matter of time before I tackled it. FTL is a great game, and Ben Prunty made a soundtrack for it that fits perfectly. So this is much mellower and more deliberate in pacing than my usual stuff. I went into this one trying to do something warm, lo-fi/analog-sounding, and also unlike most of my remixes, not in your face all the time.
"I figured you guys were getting tired of the endless flood of synthwave remixes from me, so I guess something different is appropiate. Sir_NutS (Paul Michael Molina), hits us again, this time with a mellower, downtempo synth jam featuring warm, pitch-drifting, melting synths & dusty beats, arranging Ben Prunty's title theme from FTL:
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